Marc Vaux
Untitled (Red), 1971
Screenprint on paper
74 x 92 cms (29 1/8 x 36 1/4 ins)
Edition of 120
As in many of his paintings of the early 1970s, Marc Vaux continued to place his items near the right or left edge of the work and at eye-level. They draw us close to the paper or canvas, so that our peripheral vision is drenched in the field colour and our sense of space is stimulated by its generous sweep. Used in this way, the items act like decoys; there is something humorous about them. He himself speaks of the ‘banality’ of the interfering element: ‘The banality of image aims at contrasting with chromatic experience’.
As in many of his paintings of the early 1970s, Marc Vaux continued to place his items near the right or left edge of the work and at eye-level. They draw us close to the paper or canvas, so that our peripheral vision is drenched in the field colour and our sense of space is stimulated by its generous sweep. Used in this way, the items act like decoys; there is something humorous about them. He himself speaks of the ‘banality’ of the interfering element: ‘The banality of image aims at contrasting with chromatic experience’.
All prints come with a certificate of authenticity issued by the gallery.
All prints come with a certificate of authenticity issued by the gallery.
Exhibitions
Marc Vaux: Full House, Paintings from 1964, Bernard Jacobson Gallery, London, 15 November - 21 December 2012
Henri Matisse: The Goldfish Bowls and Other Prints (London Original Print Fair), Bernard Jacobson Gallery, London, 1 - 28 May 2021
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